MUSÉE 29 – EVOLUTION
Evolution explores the concepts of progress, transformation, growth, and advancement in an age when images are taking a dramatic shift in the role they play in our lives.
Watch Carolyn's documentary and learn about how she's fighting to keep the Hudson River clean and safe.
Read here for more information on this exciting week in LA, and how to receive a 30% discount!
When I don't speak their language I use body language to communicate with my subjects. A smile can often be enough to break the ice, especially with elderly people who often don't speak English.
It was never my goal to be a photographer. I came into fashion and photography as an outsider. I came from being in the music industry for many years. It wasn’t something I pursued di- rectly, I picked it up late and took it where it led me, which was fashion.
Woman Crush Wednesday is back! Read up on Hayley Eichenbaum this week.
The Sony World Photography Awards are inarguably the world’s largest photography competition. This year, over 105,000 entries were received for the Open categories section and this week the top 10 winners were revealed.
Maybe as I get older, I am driven by some combination of things. If the model brings an identity, I'm interested. And if they are open to playing a role, I'm equally open. I’m not a huge director. I enjoy watching.
The volcanic rocks stretched out like a moonless night and the waves rushed at the edge, retreating after they licked the tips of stone. She was a golden ray upon a shore of coal, her skin reflected the sun, calling to him, “I’ve been waiting for you.”
The specificities of the medium have always been very important in my work and today the medium of photography is digital. It allows greater freedom in regards to abstraction.
As the artist rejects the label of photographer, it’s important for the viewer to examine her work as a conceptual or theoretical exercise. That’s not to diminish her works aesthetics, in fact it is as important to label the artist ‘photographer’ and enjoy her color fields and objects.
One can't photograph something that doesn't first exist in reality; so, it is necessary for me to bring the objects into existence. This led me to growing old varieties of fruits and flowers that are not available in the contemporary marketplace.
Primarily spotlighting black female subjects, her aesthetic was a faceless subject—the no-woman that was every woman—dressed plainly in white or black, and standing apart—an outline of a being, fading into the high contrast background.
