I’m sure my unlucky captor didn’t expect it to happen to him when he zip-tied me, gagged me, and threw me in the trunk of his car. I know, sounds kinky right?
I’m sure my unlucky captor didn’t expect it to happen to him when he zip-tied me, gagged me, and threw me in the trunk of his car. I know, sounds kinky right?
I began experimenting with the GIF format, and immediately fell in love. It bridged the gap between still and motion and really became my go-to medium for the next couple years.
At the time, I was influenced by a book called The Shape of Crowds written by a famous Vietnamese psychiatrist. I liked the idea that crowds have a certain shape.
Our Woman Crush is a day late! Read our interview with Jade Doskow about her Lost Utopias series
It was a deep, electrifying, explicit connection that flowed through the room. It was a feeling of liberation, euphoria, stimulating every last nerve and every fiber in a tantalizing convulsion of two bodies enveloped in animalistic intimacy.
Musée's Creative Director Sam Shahid will be publishing a book of his own work in an effort to raise funds for ACRIA, a leading non-profit and community-based organization devoted to HIV prevention and care.
If you’ve ever wondered about the process of bringing vision to fruition or if you’re curious about the stylists behind the camera, then McKnight’s Hair will provide you with those in depth observations from an acclaimed hair stylist extremely well versed in all things high fashion
t’s something that we’ve always responded to; large scale, large volumes, and even loud music. It’s just something that we like, that feeling of being overwhelmed.
The deadline to apply for the Photography Master Retreat has been extended to March 1, 2017!
They were swaying, no not swaying, fucking. There was nothing gentle about it, no other way to phrase it.
Musée Magazine Congratulates John Waters on Being Selected for the 57th Venice Biennale
When I gaze through the camera, I try to think like a painter and consider every aspect of the composition – the colors and textures of the fabrics, the value contrasts of the lighting, the position of the objects and characters, and the dynamic between the figure and ground.