MUSÉE 29 – EVOLUTION

Evolution explores the concepts of progress, transformation, growth, and advancement in an age when images are taking a dramatic shift in the role they play in our lives.

The Dichotomy of Nature and Humanity: The Work of Devadeep Gupta

The Dichotomy of Nature and Humanity: The Work of Devadeep Gupta

In the photographic series, "The Absent River," Indian photographer Devadeep Gupta portrays the resilient spirit of Assam's river-bank communities grappling with the indomitable force of the Brahmaputra River. This almost 4000km watercourse weaves through Asia, casting a formidable shadow over the northeastern town of Assam.


Gupta's lens becomes a tool to discover the paradoxical relationship between an unstoppable force of nature and the determination of the human spirit. "The Absent River" looks upon the choices made by these communities, driven by historical ties, emotional bonds, and the absence of immediate alternatives. Against the backdrop of devastating yet cyclical annual floods, individuals find themselves entangled in a drama where consequences unfold, not entirely of their own making.

In 'The Absent River', Gupta invites us to delve into the unseen, encouraging exploration of the complexities of existence amidst adversity. The project, evolving as a living process of storytelling, prompts its audience to reconsider perspectives on communities often deemed as victims, urging acknowledgment of the depth and strength that surface when humanity grapples with the forces of nature.

Gupta explains the toxic yet thriving relationship between the river and its people, describing it as an endless loop, "the serpent eating its own tail." This intriguing paradox serves as an ongoing discourse, challenging superficial understandings of suffering and contesting pre-victimized perceptions surrounding river-bank communities. Employing diverse mediums such as film, found objects, and photographs, this ongoing project aims to delve into a situation that, from an outsider's point of view, may seem devoid of logic. In doing so, Devadeep Gupta invites us to reconsider our assumptions, urging a deeper understanding of this intricate relationship.

To discover more about Devadeep Gupta’s work you can visit his website or social media.


Traditional Painting Genres in Photography | Maine Museum of Photographic Arts

Traditional Painting Genres in Photography | Maine Museum of Photographic Arts

David Goldblatt: No Ulterior Motive | Art Institute of Chicago

David Goldblatt: No Ulterior Motive | Art Institute of Chicago