Happy pride month from Musée Magazine!
All in Theme Month
Until the Night Comes offers a unique and authentic window into the pandemic experience of an often overlooked and misunderstood community.
Though varied in subject matter and visual style, photographs from the “Diary” series are united by their raw and atmospheric appeal.
Colorful Scissors is an attempt at reclaiming the creative potential of hybrid cultural influences absorbed through life as a migrant.
The unity of Gong’s rendered futuristic structures and agrarian settings shows an unexplainable yet hopeful world one century down the line.
By participating in a transactional system, Tseng contemplates how, exactly, identity can be secured, if at all.
Using Photoshop to create surreal spaces where one cannot physically travel, Kang Hee Kim’s photographs may be a timely escape for us all.
“It took me about a year and a half to truly, viscerally understand what we were doing. We were uncovering history, with our hands, one grave marker at a time.”
In his latest exhibition, Vatnajökull, on view at M+B Gallery in Los Angeles, Matthew Brandt portrays the Vatna Glacier, the largest ice cap in Iceland, in a remarkably creative way.
Exploring the traditions of portraiture and still life painting, artist Daniel Gordon creates whimsical, new worlds through a blend of analog and digital techniques.
Amanda Musick creates collages of the natural world in Land Unfolding, cutting and arranging vast fragments of the earth until the original landscape is unrecognizable and a new, perfectly whole one stands in its place.
“Rather than just reading about the history, I felt more deeply involved putting my physical self into the characters. Part of them becomes a part of me.”
Using photo collage and 35 mm digitals, British photographer Jessy Boon Cowler blends the natural world with the nude human form, in a commentary on the two’s dislocation from one another.
Isabelle Wenzel creates inspired, abstract, images that capture a moment of movement.