The conversation on revealing versus concealing in the photographic representation of the Self is the same as taking selfies in infinity mirrors—infinitely reflected but none corporeal. There is an underlying equivocation between representation and distortion. This dynamic is taken up by experimental photographer Janice Guy. In her first solo exhibition Foot in the Mouth of Art , her years-worth of unearthed works are a commentary on, or scrutiny of, the photographic portrayal of femininity, anonymity, and sexuality.