Laura Poitras at the Whitney Museum

Above: © Laura Poitras, ANARCHIST: Israeli Drone Feed (Intercepted February 24, 2009), 2016. Pigmented inkjet print on aluminum. / Courtesy of the Whitney Museum

NEW YORK, NY.- This winter, the Whitney Museum of American Art debuted Laura Poitras: Astro Noise, the first solo museum exhibition by artist, filmmaker, and journalist Laura Poitras. On view through May 1, 2016, this immersive installation of new work builds on topics important to Poitras, including mass surveillance, the war on terror, the U.S. drone program, Guantánamo Bay Prison, occupation, and torture. Some of these issues have been investigated in her films, including CITIZENFOUR, which won the 2015 Academy Award for Best Documentary, and in her reporting, which was awarded a 2014 Pulitzer Prize. The exhibition is organized by Whitney curator and curator of performance Jay Sanders.

“Over the course of her career, Laura Poitras has fearlessly created work of national and global importance, and uncompromising integrity. With Astro Noise, she tackles some of the most pressing issues of our time in profound and innovative ways, and the Whitney is proud to provide her a space in which she can continue to explore her ideas in new mediums,” said Adam D. Weinberg, the Whitney’s Alice Pratt Brown director.

03-Astro-Noise-Press-(3)Above: © Laura Poitras, O’Say Can You See, 2001/2016. Two-channel digital video, color, sound. / Courtesy of the Whitney Museum

The title, Astro Noise, refers to the faint background disturbance of thermal radiation left over from the Big Bang and is the name Edward Snowden gave to an encrypted file containing evidence of mass surveillance by the National Security Agency that he shared with Poitras in 2013. The Snowden archive partially inspired Poitras’s presentation at the Whitney.

For the exhibition, Poitras created an interrelated series of installations in the Whitney’s eighth-floor Hurst Family Galleries. The exhibition expands on her project to document post–9/11 America, engaging visitors in formats outside her non-fiction filmmaking. Instead she created environments that incorporate documentary footage, architectural interventions, primary documents, and narrative structures to invite visitors to interact with the material in strikingly intimate and direct ways.

LauraPoitras3Above: Laura Poitras filming the NSA Utah Data Repository construction in 2011. Photograph © Conor Provenzano. / Courtesy of the Whitney Museum

“I very much like the idea of creating a space that challenges the viewer and asks them to make decisions. My films are about these questions—what do people do when confronted with choices and risks,” Poitras explains. “By asking people to lie down and gaze upward in Bed Down Location, for example, I want them to enter an empathetic space to imagine drone warfare. In another piece, there is both the seduction of shafts of light to look into, but also the choreography of bodies in the space, bodies facing walls and the things you associate with that, like firing squads. I’m interested in making things hard to see, just like the deep state is hard to see.”’

This exhibition continues the Museum’s involvement with Poitras, whose work was included in the 2012 Whitney Biennial. Sanders, who co-organized the 2012 Biennial, said, “Laura Poitras compels us to rethink the potential for an artist to explore and convey the nature of power and to affect understanding and responsibility in the larger world. Astro Noise sees her reconsidering the moving image toward other ways of addressing and engaging an audience, presenting the culture and mechanisms of surveillance and the war on terror in a very different way, through structured visual experiences that provide much more than information and compel an audience to enter into a visceral experience.”

01 Astro Noise PressAbove: © Laura Poitras, ANARCHIST: Data Feed with Doppler Tracks from a Satellite (Intercepted May 27, 2009), 2016. / Courtesy of the Whitney Museum

Laura Poitras is a filmmaker, journalist, and artist. CITIZENFOUR, the third installment of her post–9/11 Trilogy, won an Academy Award for Best Documentary, along with awards from the British Film Academy, Independent Spirit Awards, Director’s Guild of America, Cinema Eye Honors, and others. Part one of the trilogy, MY COUNTRY, MY COUNTRY, about the U.S. occupation of Iraq, was nominated for an Academy Award. Part two, THE OATH, focused on Guantanamo and the war on terror, and was nominated for two Emmy awards. She has received many honors for her work, including a MacArthur Fellowship, Guggenheim Fellowship, and a Peabody Award. She has attended the Sundance Institute Documentary Labs as both a Fellow and Creative Advisor.

Her reporting on NSA mass surveillance based on Snowden’s disclosures won the George Polk Award for national security journalism, and shared in the 2014 Pulitzer Prize for Public Service. She has taught filmmaking a Yale and Duke Universities, and is on the board of the Freedom of the Press Foundation. Along with AJ Schnack and Charlotte Cook, she is co-creator of Field of Vision, a visual journalism film unit.

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