Catherine Opie at Lehmann Maupin

Image above: © Catherine Opie, Untitled #9, 2013 / Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York and Hong Kong

Lehmann Maupin presents the gallery’s debut solo exhibition for Los Angeles-based photographer Catherine Opie. For the occasion, two concurrent exhibitions will be on view at the gallery’s Chelsea and Lower East Side locations, featuring new work by Opie that underscores her on-going dialogue with the history of photography and constructs of identity, both integral aspects of her practice.

IMG_2815-2-EditAshley ComerImage above: © Ashley Comer, from the opening reception 

Opie gained notoriety in the 1990s with her series of portraits depicting gay, lesbian, and transgender sitters, heralded as groundbreaking during the height of the polarizing “culture wars.” Since then, Opie has traveled extensively, documenting contemporary American life and geographical locations through the photographing of subjects often drawn from her friends, family, and peers. With a particular focus on an examination of subculture communities, Opie’s photographs unite current day politics and societal structures with a classical art aesthetic, culminating in a body of work that expands upon the tradition of documentary photography as well as the greater art historical canon.

Final print filesImage above: © Catherine Opie, Mary, 2012/ Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York and Hong Kong


Portraits and Landscapes, on view at 536 West 22nd Street, encompasses recent formal portraits and abstract landscapes that are inspired by the genres of European portraiture and American landscape photography. Utilizing the classical technique of chiaroscuro, Opie’s subjects—including culturally significant figures such as fashion designers Kate and Laura Mulleavy of Rodarte, artist Kara Walker, and director John Waters—are posed in front of a black drop cloth and theatrically lit, intimately dramatizing the details of the face and body. She emphasizes their unique characteristics while also suggesting an allegorical dimension beyond their individual identity. Interspersed amongst these commanding portraits are abstract landscapes that defy any recognition of their geographical location. Capturing pinnacles of the American landscape, Opie reduces the images to blurred light and elementary abstract form to elicit visceral reactions that resonate with oblivion, the sublime, and the unknown. The resulting photographs transcend the ubiquity that typically surrounds depictions of these natural wonders reminiscent of the American Pictorialist style, which sought to not simply capture, but to create a unique photographic image.

Final print filesImage above: © Catherine Opie, Hilton, 2013 / Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York and Hong Kong

The exhibition at 201 Chrystie Street, 700 Nimes Road, features the artist’s portfolio of 50 photographs documenting the interiors and belongings of the late Elizabeth Taylor. The actress, who rarely permitted photographs to be taken inside her home, allowed Opie unprecedented access to capture what would become among the last portraits of the legendary star. Beginning in 2010 and working over a period of six months, Opie composed an intimate “indirect portrait” through Taylor’s home and possessions. Drawing inspiration from William Eggleston’s Graceland (1984), a portfolio of the late Elvis Presley’s home, Opie presents an endearing and intimate document of a departed American icon. Coinciding with her exhibition at Lehmann Maupin, a selection from the portfolio will be exhibited at the Los Angeles Museum of Contemporary Art’s Pacific Design Center venue in West Hollywood, California before traveling to several museums throughout the United States.

CO_LM22033_Untitled_12_hr0Image above: © Catherine Opie, Untitled #12, 2015 / Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York and Hong Kong

Opie’s images from the portfolio are the subject of a new book published by DelMonico Books • Prestel, also entitled 700 Nimes Road, which includes essays by Ingrid Sichy and Hilton Als.

Final print files

Image above: © Catherine Opie, Cecilia, 2013 / Courtesy Regen Projects, Los Angeles and Lehmann Maupin, New York and Hong Kong

The artist has two additional upcoming Los Angeles-based projects: an exhibition of portraits at the Hammer Museum on view from January 30-May 22, 2016; and a commission by the General Services Administration to create a site-specific installation for the Los Angeles Federal Courthouse, to be unveiled in June 2016. Opie’s work will also be the subject of a retrospective exhibition at Henie Onstad Centre, Oslo opening in September 2017.

On view until  February 20, 2016 at 536 W 22nd Street

Matthew Craven at Asya Geisberg Gallery

Cathleen Naundorf at Edwynn Houk Gallery