Image above: ©Jane Hilton, Red Rock, Valley of the Gods, 2015. Courtesy of Nailya Alexander Gallery.
Nailya Alexander Gallery presented on July 9th American Cowboy, an exhibition of photographer Jane Hilton’s work documenting the 21st-century cowboys of the American West. American Cowboy runs through July 31.
Photographer, filmmaker, and former classical musician Jane Hilton was born in England and received a degree in Music and Visual Art from Lancaster University in 1984. Her fascination with the American West was sparked on her first trip to Arizona in 1988. “I grew up with the Hollywood cowboy movies of John Wayne and Gary Cooper,” Hilton told The Telegraph in 2010. “I remember watching them on television with my dad on Sunday afternoons. Those gunslinging cowboys defending their land and women folk, all played out in the spectacular scenery of the American West – it seemed a long way from suburban England.” American Cowboy, Jane Hilton’s third solo show at Nailya Alexander Gallery, marks the culmination of nearly three decades documenting the striking landscape and unique culture of the American West.
© Jane Hilton, Red Rock, Rodeo Girl, Colorado, 2015. Courtesy of Nailya Alexander Gallery.
© Jane Hilton, Ford Pick-Up, Utah, 2015. Courtesy of Nailya Alexander Gallery.
In Dead Eagle Trail (2010), Hilton photographed cowboys in their houses, surrounded by Western iconography and memorabilia; in American Cowboy, she captures them where they are truly at home, on the land, both dwarfed and ennobled by the vast plains and endless highways that have defined their way of life for almost two hundred years. Shot largely on color film with a 4 x 5” view camera, the resulting prints replicate the region’s deep, dusty earth tones and diffuse light with startling richness and detail. Yet Hilton is neither nostalgic nor naive. In “Big Chief Gas Station, New Mexico,” a shuttered Native American business stands as a derelict memorial to the ancient cultures that American cowboy helped displace, and speaks to declining economic prospects for tribes and ranches alike. As Hilton writes in the introduction to Dead Eagle Trail (Schilt, 2010), “Real cowboys will not disappear, but every generation produces fewer and fewer of them.” In addition to American Cowboy and Dead Eagle Trail,
© Jane Hilton, Cowboy, Valley of the Gods, Utah, 2015. Courtesy of Nailya Alexander Gallery.
© Jane Hilton, Bluff Plains, Utah, 2015. Courtesy of Nailya Alexander Gallery.
Jane Hilton’s documentation of the American West includes extensive work in the wedding chapels of Las Vegas, as well as a fifteen-year span photographing and filming working girls and madams in the legalized brothels of Nevada. A book of portraits from the brothels, Precious, was published in 2013, and the series was featured in a solo show at Nailya Alexander Gallery. Hilton also produced a ten-part documentary film series for the BBC, “Love for Sale,” on life in the Nevada brothels. Jane Hilton’s work has been exhibited widely in galleries and art fairs throughout Europe and the United States. This spring, photographs from American Cowboy were shown at the inaugural edition of Photo London, London’s first international photography fair. Her portrait of cowboy Pate Meinzer was shown at the National Portrait Gallery in London as a nominee for the Taylor Wessing Photographic Portrait Prize in 2009. Her work can be found in the permanent collection of the Philadelphia Museum of Art, and her photographs are published regularly in The Sunday Times Magazine and the Telegraph Magazine. In 2013, Jane Hilton was awarded an Honorary Fellowship by the Royal Photographic Society.
© Jane Hilton, Big Chief Gas Station, New Mexico, 2015. Courtesy of Nailya Alexander Gallery.