Photographer: Zarita Zevallos
Models: Erwin A. and Alexander Remington (IG @reaxla)

Words and Images by Zarita Zevallos

Interview by AnnaRose Goldwitz

What made you pursue photography?

My journey with photography began when I moved in with my father at around 21 or 22. We initially struggled to communicate and understand each other. Knowing that photography was a passion of his, I decided to take it up as a way to connect with him. His love for philosophy and political issues also influenced the direction of my photography, shaping the style and themes I explore in my work today.

How did you develop this series?

I was disturbed by the events unfolding around me at the time, particularly the murder of Trayvon Martin and the discussions it sparked. This tragedy highlighted the history of police violence, not only in the US but also against Black people in Canada, Europe, South America, and basically around the world. My work aims to retell this story, capturing and reflecting the narrative of these social issues

What challenges came up during this project?

One of the main challenges in my work is the post-editing process. I handmake barbed wire and layer it over printed photos. Then, I bring these images back into Photoshop to ensure everything looks realistic and hypersensitive. This process is meticulous and time-consuming, but it’s crucial for achieving the desired effect in my work.

How did you come in contact with your interviewee, Henry Perez?

A friend of mine, who was a social worker, often shared how depressing and unfair the system in the US was towards those who needed the most help. He was handling a specific case involving Henry Perez, and I asked if I could interview him. This topic was particularly significant to me, especially with the recorded instances of police violence surfacing at that time.

Zarita’s Interview with Henry Perez

Describe your creative process in one word?

Meticulous

Do you prefer black and white or color photography?

I prefer color photography, but I lean towards very muted colors.

Can you walk me through your creative process from concept to final image?

Absolutely! First, I plan how the photoshoot and poses will tie into the post-processing phase. I use a few carefully chosen props for the model, ensuring they enhance rather than distract. After the shoot, I print my best shots. Based on my concept, I select a material that reinforces the idea and place it over the photos. I then photograph the prints with the material on top and bring them back into Photoshop to clean up the image and make it look realistic or three-dimensional. Finally, I edit the colors once more for the desired effect.

What inspires you to pursue image-making?

My work’s purpose is to denounce injustices and incite change. It inspires me incessantly.

Do you have any post-processing or editing techniques that you prefer?

I love superimposing materials over photographs. It adds an interactive element to the gallery experience, making it more engaging for viewers. I want people to be able to touch the work. I don't believe in restricting the public from interacting with the artwork out of fear of it getting dirty or damaged.

Let it happen—it’s part of the art itself.

Is there a selection of your work that you are most proud of?

My photo series named "Kòktèl" was a turning point for me. It was during this project that I really discovered the style of photography that resonates with me.

Was there one particular photographer and/or teacher who inspired you to pursue photography?

My dad didn't push me to pursue photography, but he was absolutely amazed by what followed when I started. He believes in me, my ideas, and what I stand for. Much of what I stand for, I've learned from him.

What do you enjoy most about being a photographer?

Capturing those perfect shots is incredible and printing them brings the closest feeling to 'completion' I've ever experienced. Textured photographs are heaven to me.

What was the last book you read or film you saw that inspired you?

In my recent reading, "Assata: An Autobiography" deeply resonated with me, and I'm currently immersed in "Wretched of The Earth." These books connect with my photo series, delving into themes such as the crimes committed by the US against Black people. They ignite my passion to continue evolving creatively. I'm prepared to move beyond traditional printing and framing in my photography; it's evolving into a form of sculpture, expanding the ways I can convey powerful narratives.

What is the best exhibition/museum you have visited recently?

I recently visited the Spike Lee: Creative Sources exhibition at the Brooklyn Museum, and it left a profound impact on me. The collection was simply stunning and represented a significant investment in Black creativity. It was not only inspiring but also a learning experience as I discovered more about Black creators and their contributions.

What advice would you give to people just starting out in photography?

You are a powerhouse. Demand what you deserve. This cannot be emphasized enough. Your artistic talent runs deep in your DNA. Don't settle for working for 'exposure' unless it aligns with your goals. Don't let others pressure you into that choice.

What is your favorite thing (podcast, album, audiobook...etc.) to listen to?

Honestly, I love rewatching Grey’s Anatomy episodes. Somehow it helps me unwind.

If you could teach a one-hour class on anything, what would it be?

If given three hours, I would love to teach a class that merges artmaking with discussions on writers who have eloquently expressed the experience of being Black in a world that often rejects them, yet they produce remarkable art nonetheless.

In a condensed one-hour session, I would focus on fostering curiosity in one's authentic creative voice, steering away from imitation and encouraging originality. I believe that what you create reflects who you are, not just a means to gain recognition. Unfortunately, social media has somewhat diluted the impact that photography as an art form can have, but through teaching and discussion, we can elevate the understanding and appreciation of photography's significance.

How do you take your coffee?

My coffee looks like a Golden State Warrior player, with a lot of milk and sugar (laughter).