Wonders and Witness | Center for Creative Photography
Oh Heinkuhn, “A Boy with His Ear Hurt in front of Lucky Club,” 1993 (printed in 2013), © MMCA Collection
Written By Mauricio Mulder
Photo edited by Max Amos-Flom
The relationship between East and West has always been a fascinating subject in popular culture, often reflected through various artistic mediums. Within this dialogue, photography emerges as an important medium for capturing the nuances of societal transformation and cultural collision. In the context of South Korea, a country deep-rooted in cultural traditions, it becomes a powerful tool to explore the merging of heritages and the growing impact of Western ideologies.
Area Park, “Boys in the City- Boys Freezed for Three Seconds,” 2005 (printed in 2012), © MMCA Collection
The Center for Creative Photography (CCP) in Arizona collaborates with the Korean Museum of Modern and Contemporary Art to present a collective exhibition showcasing the works of twelve contemporary Korean photographers. This exhibition held within the CCP space at the University of Arizona, presents around 80 pieces that traverse themes of identity, shifting family dynamics, and the rapid urbanization of South Korea. The exhibition will include a public symposium on photography in Korea and talks held by artists.
Kim Mi-Hyun, “Street Bar,” 2001-2003 (printed in 2016), © MMCA Collection
The show entitled “Wonders and Witness” presents a diverse array of photographic expressions and styles, looking into societal conflicts and the prevalent stereotypes surrounding Korean culture. However, the works go beyond highlighting clashes - they provide profound reinterpretations and challenges to these pervasive stereotypes. Some pieces serve as responses to the enduring American influence and the power dynamics that emerged after the 1950s conflict, while others explore the metamorphosis of Korean identity across generations. This approach offers an unfamiliar narrative to American audiences, presenting them with an introspective view of an unknown culture.
Lee Sunmin, “Yeon-I and Jeong-yun,” 2006 (printed in 2012), © MMCA Collection
Through this, viewers can use the exhibition as an opportunity to expand their understanding of identity, family structures, and the complexities of globalization. From introspective examinations o familial bonds to reflections on societal transformations, these narratives serve as a dialogue between tradition and modernity.
Oh Heinkuhn, “Da-won KANG, Age 19, August 13, 2007,” 2007, © MMCA Collection
“Wonders and Witness” is running from November 18th to January 27th, at the Center for Creative Photography in Arizona, for more information you can visit their website.
Chung Chuha, “A Pleasant Day,” 2003-2007 (printed in 2008), © MMCA Collection
