MUSÉE 29 – EVOLUTION

Evolution explores the concepts of progress, transformation, growth, and advancement in an age when images are taking a dramatic shift in the role they play in our lives.

Art Out: Baldwin Lee, Chris Engman, and Penny Slinger

Art Out: Baldwin Lee, Chris Engman, and Penny Slinger

Untitled, 1983-1989

Gelatin silver print; printed 1983-1989

15 x 18 7/8 inches

Howard Greenberg Gallery | Sept. 22 – Nov. 12, 2022

"In 1983, the photographer Baldwin Lee left his home in Knoxville, Tennessee, and set off on a road trip through the American South. He did not know what his subject would be, but during the trip, he found himself drawn to photographing Black Americans at home, at work and at play, in the street and amid nature. Over the next seven years, he made numerous road trips to the South to continue his work. He returned with images so poignant and piercing, the Museum of Modern Art in New York acquired his photographs.

Nearly 40 years after Lee’s initial 2,000-mile road trip, the first solo exhibition of his work in New York will be on view at Howard Greenberg Gallery from September 22 through November 12, 2022. The exhibition Baldwin Lee coincides with the publication of a new monograph of his work by Hunters Point Press in New York in September.

The exhibition at Howard Greenberg Gallery will present 30 photographs selected from the book, from an archive containing nearly 10,000 black-and-white negatives from the seven-year period. The images by Lee, a first generation Chinese American, show an intimate portrayal of daily life in the American South that is considered to be among the most remarkable in the last half century. Most of the work in the exhibition has never before been on public view. His compelling depictions of childhood pleasures, the working life of adults, the bonds among families and communities reveal the artist’s unique commitment to picturing life in America.” - Howard Greenberg press release ©

To view more of this exhibition, visit here.

Penny Slinger, Flying in Dreams, 1969/2014 © Penny Slinger / Artist Rights Society (ARS), New York

Pace Gallery | Sept. 16 – Oct. 22, 2022

“On view in the gallery’s first-floor library, the exhibition, titled 50% Unboxed, will feature selections from Slinger’s iconic 1971 artist’s book and collage series 50% The Visible Woman, through which the artist investigates the mapping and unveiling of the feminine subconscious. Alongside these historic works, the exhibition will also include Slinger’s new photo collage series My Body in a Box (2020-21). Pace’s presentation follows Blum & Poe’s 2021 exhibition of Slinger’s work, titled 50/50, in Los Angeles.” - Pace Gallery press release ©

To view more of this exhibition, visit here.

Chris Engman
The Audience, 2004
Digital pigment print
40 x 48 in.
Edition of 6 + 2 AP

Luis De Jesus Los Angeles | Sept. 17 – Oct. 29, 2022

“Luis De Jesus Los Angeles is very pleased to announce CHRIS ENGMAN: The Artist as Explorer—2002-2006, an exhibition of historical photographic works on view in the Project Space from September 17 through October 29, 2022. An opening reception will be held on Saturday, September 17, from 5:00 to 8:00 pm.  This is the artist’s fifth solo exhibition with the gallery.

Originally created by Chris Engman between 2002-2006, this is the first time this series of black and white photographs is being presented in Los Angeles. These works read differently now than when they were produced 15-20 years ago. Certainly, we have all become accustomed to images that lie more boldly or more insidiously, and as a result, the flaws in the illusions these works create will for some be more readily apparent in 2022. For Engman, however, a complete illusion is an uncompelling one—and he has always been more interested in the flaws than in the fooling. The flaws allow the viewer to enter the image and better understand the process behind it, which was conceived at the time by the artist as a performance. “ - Luis De Jesus Gallery press release ©

To view more of this exhibition, visit here.

Weekend Portfolio: Fallon McDonald

Weekend Portfolio: Fallon McDonald

Film Review: NOTHING COMPARES (2022) DIR. KATHRYN FERGUSON

Film Review: NOTHING COMPARES (2022) DIR. KATHRYN FERGUSON