MUSÉE 29 – EVOLUTION

Evolution explores the concepts of progress, transformation, growth, and advancement in an age when images are taking a dramatic shift in the role they play in our lives.

Art Out: Walter Iooss Jr., Ken Graves/ Eva Lipman, Charles Johnstone

Art Out: Walter Iooss Jr., Ken Graves/ Eva Lipman, Charles Johnstone

Walter Iooss Jr., Mel Renfro, Miami, Florida, 1971. Inkjetprint, 15 x 22 in. Oklahoma City Museum of Art. Gift of Ryon and Lauren Beyerin honor of the Museum’s 75th anniversary, 2019.164 ©Walter Iooss Jr.

Oklahoma City Museum of Art | March 4th- September 4th, 2022

A new, original exhibition of over 80 photographs by iconic sports photographer Walter Iooss Jr. will open on March 5 at the Oklahoma City Museum of Art. “The Perfect Shot: Walter Iooss Jr. and the Art of Sports Photography” spans 50 years of Iooss’ career and features athletes as diverse as Hank Aaron, Muhammad Ali, Michael Jordan, Arnold Palmer, Jackie Joyner-Kersee, Bart Conner, Serena Williams and many more.

ⒸCharles Johnstone/ Girl with Red Dress. Polaroid (600)

The National Arts Club (NAC) | March 1st - April 7th, 2022

The National Arts Club (NAC) presents An Endless Summer, an exhibition by Charles Johnstone, opening in March 2022. An Endless Summer brings together a tightly-edited collection of Polaroids, both regular and expired, from five projects shot in California, New York, and Florida and offers thematic stylistic connections between them. The title is a direct nod to aniconic surfing documentary The Endless Summer (1966), and immediately evokes hot summer days spent by the water, on the beach or by the swimming pool. Johnstone captures fleeting memories from various summer moments he cherishes. In these images, through careful framing and thoughtful composition he creates a mood that feels relaxed and welcoming.

©Ken Graves/Eva Lipman, “Quadrille Alumni Ball,” New York City, 1988, Vintage gelatin silver print, 16 x 20 inches, sheet.

ClampArt | March 5th - April 30th, 2022

“Restraint + Desire” is the culmination of a lifelong creative partnership between husband and wife Ken Graves and Eva Lipman. Shooting the same subject simultaneously, the couple edits the film from both cameras, never revealing who clicked the shutter for the final photograph selected. For decades Graves and Lipman documented high school dances, military ceremonies, football games, boxing matches, and other American social rituals, seeking to capture the complex intensity between humans often overlooked in these commonplace settings.

Photo Editor: Chris Zarcadoolas

Film Review: Drive My Car (2021) Dir. Ryusuke Hamaguchi

Film Review: Drive My Car (2021) Dir. Ryusuke Hamaguchi

Weekend Portfolio: Evie McKenna

Weekend Portfolio: Evie McKenna