Geneviève Cadieux, Barcelone (detail), 2003–21. © Geneviève Cadieux, Photo: Courtesy the artist — **Geneviève Cadieux**, *Barcelone* (detail), 2003–21. © Geneviève Cadieux, Photo: Courtesy the artist

Written by Jan Alex

Though the COVID-19 pandemic has taken a serious toll on the art world, it has led to at least one promising trend: outdoor exhibits. Forced to close their doors or limit visitors in the name of safety, many museums and galleries have turned to outdoor displays and exhibits to show art to the public. The National Gallery of Canada’s (NGC) newest photography installation, “Barcelone” by Geneviève Cadieux, serves as a fitting example of just how powerful and monumental public art can be.

Adorning the entire south façade of the NGC building, the work is composed of nine juxtaposed images, the largest installation of its kind ever displayed by the museum. It’s a monumental work, prominently displayed for the public. Kitty Scott, chief curator of the NGC, said that the goal of this massive installation was to find a way to bring art to the public while their doors remain closed.

“It means the public can enjoy art all the time, no matter what the conditions are,” Scott said.

With that in mind, it’s hard to think of a more fitting artist for an installation of this caliber than Geneviève Cadieux. One of Canada’s most renowned photographers, Cadieux has always worked in the realm of the grandiose. Known for her large-scale images and photographic installations, Cadieux’s presentation of her work in museums and public spaces is often inspired by cinematic and theatrical conventions, as well as advertising strategies and their impact on the individual.

The title “Barcelone” is a play on the French word “seul” and the English word “alone,” both of which have the same meaning. Through these photographs, Cadieux continues her exploration of large-scale representations of human bodies and emotions. The series of images shows two characters observing each other at a distance, focused on one another but entirely on their own. Meant to explore the challenges to relationships and human connection during the pandemic, the work evokes both lonely detachment and a longing for connection. It is a fitting summation of the human condition during the past year and a remarkable piece of public art.

“Barcelone” is on display until May 2022 and can also be viewed online.