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Issue No. 17 - Enigma

Bittersweet at Sears Peyton Gallery

Bittersweet at Sears Peyton Gallery

Images above: ©Fernando Sandoval, Opening night

Images above: ©Fernando Sandoval, Opening night

The Bittersweet plant is paradoxically both poisonous and, in the Victorian language of flowers, symbolic of truthfulness and honesty. In this three-person exhibition Bittersweet, curated by participating artist Wendy Small, botanically-influenced works by Susan Graham, Wendy Small, and Simone Shubuck appropriate the complex intertwinings of foliate patterns to consider the fragile and fraught interconnections of relationships, technology, and the environment.

Susan Graham works in media as diverse as ceramics, cut paper, woodblock prints, and sugary fondant icing. The latter she pipes into thready sculptures whose foliate understories transform into geometric manmade structures—power stations and construction scaffolding, for example—suggesting the often-uneasy co-habitation of technology and the natural environment.

 

Image above: ©Wendy Small, Remedy, 2015-2016, black and white photogram / Courtesy of Sears Peyton Gallery

Image above: ©Wendy Small, Remedy, 2015-2016, black and white photogram / Courtesy of Sears Peyton Gallery

In Wendy Small’s series of photograms, Remedies, black and white silhouettes of collected weeds and plants bloom in radial symmetry. These plants, organized on photo-sensitive paper, result in profusions of grasses, herbs, spiky leaves and fluffy dandelion heads that suggest order as much as entanglement. The works recall traditions of gardening, flower arranging, and botany that balance the wildness of nature and rationalistic aspirations of society.

 

Image above: ©Wendy Small, Remedy (Louise's Sister-in-Law), ed. of 3, 2016, color photogram / Courtesy of Sears Peyton Gallery

Image above: ©Wendy Small, Remedy (Louise's Sister-in-Law), ed. of 3, 2016, color photogram / Courtesy of Sears Peyton Gallery

 

Simone Shubuck’s mixed-media works combine graphite drawing, opaque acrylic shapes, collaged images, and pastel smudges. These painterly constellations of forms often hover around gravitational centers with drawn or painted botanical motifs jockeying with colorful orbs and loosely worked lines. These painterly admixtures suggest the fragile balances of relationships or ecosystems suspended between a gravitational pull towards density and a centrifugal drive toward chaotic disintegration.

 

Bittersweet is on view at Sears Peyton Gallery until May 15, 2016 at 210 Eleventh Avenue, Suite 802 New York, NY

Thumbnail image: ©Wendy Small, Remedy (Long Island City), ed. of 3, 2015, color photogram / Courtesy of Sears Peyton Gallery

Jim Naughten at Klompching Gallery

Jim Naughten at Klompching Gallery

Yee I-Lann at Tyler Rollins Fine Art

Yee I-Lann at Tyler Rollins Fine Art