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Since she was young Yeo has struggled with self esteem issues, wavering back and forth with undergoing cosmetic surgery, something that isn’t uncommon among people in South Korea.
And what does the sheer beauty of the North American landscape mean for those who admire it, or live and work within its majesty? Imasaka’s work is intentionally unclear on this point. He asks us, merely, to see it for what it is.
What are the costs of transforming an ancient society? What will become of humanity when all that is left are stunning but poisonous landscapes, such a wonder to observe but impossible to love?