The Benrubi Gallery is currently showcasing the “Winter of Hope” exhibition. This collection of photos from four different artists evokes sentiments of hope as we navigate a new year.
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The Benrubi Gallery is currently showcasing the “Winter of Hope” exhibition. This collection of photos from four different artists evokes sentiments of hope as we navigate a new year.
In Pictures, Bleckner and Smith investigate photography’s connection to our internal world, on all levels: how it can capture the very atoms that make up our DNA, as well as reflect, or even prompt, the metaphysical properties of our souls.
“The New Black Vanguard: Photography between Art and Fashion” by Antwaun Sargent highlights the work of 15 black photographers and explores the way in which the rules of fashion photography are being rewritten by them.
What is more American than driving cross-country along winding backroads? Driving on the interstate, of course. Perhaps it’s not as scenic, but its efficiency is unparalleled. Eisenhower implemented the nationwide infrastructure for unity during the Cold War. What he didn’t see, however, was its power of erasure.
Ahmed El Shaer’s latest installation Crossover (The Scene) is set in the former refugee camp known as “the Jungle” in Calais, France. Currently exhibited at the Museum of Moving Image in Queens, El Shaer combines live-action footage, landscape photography, and computer graphics to explore what is now a wasteland and what used to be Living Hell for a near 8,000 migrants.