Doug DuBois at Aperture Gallery
Image above: ©Doug DuBois, My Father in the Backyard, Far Hills, New Jersey,1985 / Courtesy of Aperture Gallery
Image above: ©Elizabeth Mealey, Opening Night, Doug DuBois
New York—Doug DuBois approaches his work slowly and engages in long-term photographic projects. He tells stories that reveal both a profound humanity and the inexorable passing of time. The Hermès Foundation and Aperture Foundation are pleased to present the exhibition In Good Time, the first mid-career survey of DuBois’ photographs, curated by Cory Jacobs. This retrospective contains three different bodies of work: All the Days and Nights, Avella, and My Last Day at Seventeen.
Image above: ©Elizabeth Mealey, Opening Night, Top Left, Doug DuBois speaking to crowd, Bottom Right: Doug DuBois
Family is a recurring theme in DuBois’ work, and his first project on the subject, All the Days and Nights, took over twenty years to complete. In 1984, DuBois began photographing his own family, tracing the complicated and nuanced relationships that unfolded as time passed and events transpired, such as his father’s near-fatal accident, subsequent recovery, and the impact on his family.
Image above: ©Doug DuBois, My Mother and Father at the Bar, London, 1990 / Courtesy of Aperture Gallery
For his series Avella, DuBois spent years photographing the residents of an old coal-mining town in Pennsylvania where his grandmother had lived. He collected her stories and made a portrait of the inhabitants of an American town past its prime.
Image above: ©Doug DuBois, Lise and Spencer, Ithaca, New York, 2004 / Courtesy of Aperture Gallery
In his most recent series, My Last Day at Seventeen, DuBois traveled to Cobh, Ireland, where he was an artist-in-residence at the Sirius Arts Centre. What started as a month-long residency turned into a five-year project for DuBois, who was fascinated by the complex connections between the teenagers in the insular neighborhood of Russell Heights. He began photographing them, and earned their trust, in order to tell a coming-of-age story about the delicate moment between childhood and adulthood, filled with both confidence and uncertainty.
Image above: ©Doug DuBois, Bonfire I, Russell Heights, Cobh, Ireland, 2011 / Courtesy of Aperture Gallery
Some of DuBois’ photographs are candid; most often he orchestrates scenes, engaging the narrative languages of cinema and literature to give access to the truth and complexity of lived experience.
Doug DuBois (born in Dearborn, Michigan, 1960) has photographs in the collections of the Museum of Modern Art, New York; San Francisco Museum of Modern Art; J. Paul Getty Museum, Los Angeles; and Los Angeles County Museum of Art. He has received fellowships from the John Simon Guggenheim Foundation, MacDowell Colony, and National Endowment for the Arts. DuBois has exhibited at the J. Paul Getty Museum and MoMA. His first monograph was All the Days and Nights (Aperture, 2009). In 2015, Aperture published his latest book, My Last Day at Seventeen. He has also photographed for magazines including the New York Times Magazine, Time, Details, and GQ. DuBois teaches in the College of Visual and Performing Arts at Syracuse University.
Image above: ©Doug DuBois, Shauna, Cory, and Patrick, Cobh, Ireland, 2012 / Courtesy of Aperture Gallery
Cory Jacobs is an independent curator. She has collaborated with the Hermès Foundation for seven years, organizing exhibitions with contemporary photographers. Her work with the Hermès Foundation has also involved developing partnerships with other not-for-profits, such as Aperture and the French Institute Alliance Française. Additionally, she is overseeing a year-long corporate curation project for Hermès proper.