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Issue No. 17 - Enigma

Human Interest at the Whitney Museum

Human Interest at the Whitney Museum

The mysterious power and fascination of the portrait—and the ingenious ways in which artists have been expanding the definition of portraiture over the past 100 years—are celebrated in  Human Interest: Portraits from the Whitney’s Collection, to be presented at the Whitney Museum of American Art this spring. Drawn entirely from the Museum’s collection, the exhibition features more than 300 works made from 1900 to 2016 by an extraordinary range of more than 200 artists, roughly half of whom are living. The show will be organized in twelve thematic sections on two floors of the Museum, with works in all media installed side by side. Floor Six, predominantly focused on art since 1960, opens first, on April 6; Floor Seven, which includes works from the first half of the twentieth century alongside more contemporary offerings, will open on April 27. The exhibition will remain on view through February 12, 2017.

 

Image above: Ron Athey, 1994. Chromogenic print. Whitney Museum of American Art, New York; Gift of Norman Dubrow. © Catherine Opie. Courtesy Regen Projects, Los Angeles

Image above: Ron Athey, 1994. Chromogenic print. Whitney Museum of American Art, New York; Gift of Norman Dubrow. © Catherine Opie. Courtesy Regen Projects, Los Angeles

Portraits are one of the richest veins of the Whitney’s collection, thanks to the Museum’s longstanding commitment to the figurative tradition, championed by its founder Gertrude Vanderbilt Whitney. The works included in this exhibition propose diverse and often unconventional ways of representing an individual. Many artists reconsider the pursuit of external likeness—portraiture’s usual objective—within formal or conceptual explorations or reject it altogether. Some revel in the genre’s glamour and allure, while others critique its elitist associations and instead call attention to the banal or even the grotesque.

Human Interest is curated by Scott Rothkopf, Deputy Director for Programs and Nancy and Steve Crown Family Chief Curator, and Dana Miller, Richard DeMartini Family Curator and Director of the Permanent Collection, with Mia Curran, curatorial assistant; Jennie Goldstein, assistant curator; and Sasha Nicholas, consulting curator.

 

Image above: Lyle, 1999. Oil on canvas. Whitney Museum of American Art; Gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President. © Chuck Close, courtesy Pace Gallery

Image above: Lyle, 1999. Oil on canvas. Whitney Museum of American Art; Gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President. © Chuck Close, courtesy Pace Gallery

“For the first reinstallation of the collection in our new building, we wanted to do something bold and distinctly Whitney. Our collection includes literally thousands of portraits, dating from the founding of the Museum to just this year,” said Scott Rothkopf. “The challenging and exciting part was to present these works with a new twist, according to inventive frameworks, and to show how artists have continually redefined one of art’s oldest genres.”

Dana Miller noted, “In selecting a single theme, we wanted to mix well known works with those that are less familiar. We’ve included a significant number of works that are new to the collection and others that have rarely, if ever, been exhibited. Across the one hundred years of art represented, we find artists grappling with notions of gender, sexuality, race, age, and beauty—and each one of these works provokes us to reconsider the ways in which we see ourselves.”

 

Image above: Michio Ito, 1929. Gelatin silver print. Whitney Museum of American Art, New York; Purchase, with funds from the Photography Committee. ©Toyo Miyatake Studio

Image above: Michio Ito, 1929. Gelatin silver print. Whitney Museum of American Art, New York; Purchase, with funds from the Photography Committee. ©Toyo Miyatake Studio

Once a rarified luxury good, portraits are now ubiquitous. Readily reproducible and ever-more accessible, photography has played a particularly vital role in the democratization of portraiture, and will be strongly represented in the exhibition. Most recently, the proliferation of smartphones and the rise of social media have unleashed an unprecedented stream of portraits in the form of selfies and other online posts. Many contemporary artists confront this situation, stressing the fluidity of identity in a world where technology and the mass-media are omnipresent. Through their varied takes on the portrait, the artists in Human Interest: Portraits from the Whitney’s Collection demonstrate the vitality of this enduring genre, which serves as a compelling lens through which to view some of the most important social and artistic developments of the past century.

 

Human Interest: Portraits from the Whitney's Collection is on view at the Whitney until February 12, 2017 at 99 Gansevoort st, New York, NY

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